First, head over to EDF for “Why Pews Don’t Come With Pistols,” by Talented Friend Stephanie Scarborough. It’s droll!
Second: the first round of Honorable Mentions for the Writers of the Future contest has been announced. My story “Crocodopolis” is not among them. That means it’s either headed for an Honorable Mention or - something greater. I’m collecting these Honorable Mentions like bobbleheads!
Third: Jordan Lapp, editor of EDF, won first place in last quarter’s WOTF. Wow. This is the most competitive contest in speculative fiction, and it’s amazing and awesome to place first. Congrats to him.
Fourth: I finished a Dixie O’Dell novella earlier this week. It’s merely okay. It needs work. I must get it polished before sending it to Space Westerns, my market of choice.
Fifth: I’m pre-writing a novella set in the Franco-Prussian War, specifically, the Siege of Paris. This was a fascinating conflict. I’m researching it by reading Alistair Horne’s The Terrible Year. The theme of my novella - and the war - is absurdity. I’m fortunate that the actual history provides so much fodder for this. For example, it’s the only war I can think of where hot-air balloons played a major role. How fortunate that the incompetence and occasional silliness of the French side, in the life-and-death context of brutal conflict, created a tragic absurdity that plays directly into the needs of this writer a century and a half later! When at last you enjoy the novella, reflect that only 250,000 men had to die for me to write it. Haha. I jest. The great thing about being a writer is picking over the bones of this senseless war (more senseless than most!) for scraps of sanity, and turning those scraps into meaning. For you, dear reader. The more prewriting I do, the better this story gets. I still have a lot of reading to go.
Sixth: Don’t forget to head to EDF on November 20th for my story “Ars Draconis”.
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